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| otarafa: sıkıldım bu muhabbetten ama | butarafa: selin damar |
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Symphonie Diagonale by Viking Eggeling
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Viking Eggeling (October 21, 1880–May 19, 1925) was a Swedish artist and filmmaker. His work is of significance in the area of experimental film, and has been described as absolute film and Visual Music. In 1918 he and Hans Richter were introduced to one another by Tristan Tzara. Richter wrote that "The contrast between us, which was that between method and spontaneity, only served to strengthen our mutual attraction (...) for three years we marched side by side, although we fought on separate fronts" (Richter, "Dada: Art and Anti-Art"). In 1920 they began experimenting with film. Eggeling made a film called Diagonale Symphonie, completed in 1924 just before his death. |
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A tilted figure, consisting largely of right angles at the beginning, grows by accretion, with the addition of short straight lines and curves which sprout from the existing design. The figure vanishes and the process begins again with a new pattern, each cycle lasting one or two seconds. The complete figures are drawn in a vaguely Art Deco style and could be said to resemble any number of things, an ear, a harp, panpipes, a grand piano with trombones, and so on, only highly stylized. The tone is playful and hypnotic. Written by David Carless |
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Eggeling uses *only* images (some geometrical animation) to make music! Yes!, that's it! I know it sound rare but he did it! Just try to imagine how, without any sound, just by showing us moving drawings, Eggeling makes us feel rhythm, musical patterns and figures. I would say that, even if the viewer is not a musical expert, he/she will surely discover, at least, the basics of music (rhythm, for instance). |
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boşlukları doldurun
bunlara da göz atabilirsiniz:
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| otarafa: sıkıldım bu muhabbetten ama | butarafa: selin damar |
| iletişim - şikayet - kullanıcı sözleşmesi - gizlilik şartları |