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Linda Wallace's video lovehotel is about the emergence of new spaces of
interaction, of new technologies and of formations of desire; it is about the meandering of an "Aberrant Intelligence" which hovers above and insinuates itself into our familiar habitats (physical and cyber) like a kind of inscrutable and formless spectre of the future. lovehotel establishes its domain - the abode of this AI - in the midst of a multiplicity of narrative lines and semiotic elements, using excerpts of the "Fleshmeat" text, written by and also narrated here by Francesca Da Rimini as a displacing or dislocating double for the on-screen movement of the images. It is the house without edifices or the floating space-time of the spectral emanation that sneaks through the spaces between images, between words and images, escaping our cognition but leaving us with a sense that what we see is a distorted dissimulation of something new. It is a zone of potential in which unhinged desire and new vectors of communication fabricate a space for the perverse arousal of the workaday puppets who swerve into its domain. The problem lovehotel gives itself is to render palpable this transient abode which bursts out here and there inflashes, leaving in its wake a strange feeling of disturbance and a sense that the new has slithered into and distorted the conventions and codes ofeveryday life. lovehotel clears a space within which aberrant desire - the fleeting face of the everyday - perverts social conventions ofcommunication and feeling. In this way it announces the question it seeks to formulate: the question of the emergence of the new. isteyene devamı |
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